若葉集-日本青年艺术家群展 Toggle

 若葉集

日本青年艺术家群展

Wakaba Luster

Group Exhibition of Young Artists from Japan

 

主办单位:成都蓝顶美术馆、熏依社画廊

Hosted by Blue Roof Museum of Chengdu, Shun Art Gallery

协办单位:蓝顶·顶空间

Organized by Roof Space

策展人:Shun

Curator:Shun


艺术家 | Artists

松枝 悠希 | Yuki MATSUEDA

小林 麻衣子 | Maiko KOBAYASHI

内田 江美 | Emi UCHIDA

佐藤 令奈 | Haruna SATO

林 丈司 | George HAYASHI

水野 亮 | Ryo MIZUNO

志村 英美 | Hidemi SHIMURA

工藤 修司 | Shuji KUDO

岛内 美佳| Mika SHIMAUCHI

和田 咲実 | Sakumi WADA

吉田 直也 | Naoya YOSHIDA

Ouma

 

开幕:2018年4月22日16:00

Opening: 16:00, Apr 22th, 2018

展览时间:2018年4月23日 — 6月4日

Duration: Apr 23th - Jun 4th, 2018

展览地点:成都蓝顶美术馆·新馆(1号厅)

Address: No.1 Exhibition Hall, New Hall of Blue Roof Museum


中日青年艺术家座谈会

Chinese and Japanese young artists Symposium

时间:2018年4月22日14:00-15:40

Time:14:00-15:40,Apr 22th, 2018

地点:蓝顶美术馆新馆书吧

Address: The book bar, New Hall of Blue Roof Museum



若  集

 

惊蛰一过,万物从冬眠中苏醒过来,新芽迸发,枯叶口含深红的嫩叶宣言新的出发。真心很欣喜在无意中可以目击到深红色的嫩叶蜕变成绿莹莹叶片的过程。自然,顺势,自然的循环和摄理让我们可以顿悟。

 

日本古典诗集里有《萬葉集》,这次『若集』则是造语。群展里 12 位艺术家的作品就像一首首诗篇,在这四月天里可以在美丽的成都展现给大家实属欣喜。

 

此次群展艺术家里,松枝悠希 Yuki MATSUEDA 的作品,早在 10 年前上海就做过展览,群展和个展以及在艺博会上的呈现,上海的观众对他的作品已有印象了。艺术家在美国、法国、韩国、台湾等海外的展览与艺博会上的活跃也连续不断。

 

他的鸡蛋、鹌鹑蛋、安全出口、交通标识、扑克牌等一切事物都蠢蠢欲动,带有一股力量,会使你打破陈规,跳跃起来。作品里也蕴含着他的幽默,他的生活态度以及对生活的诉求。平面和立体如此兴奋地撞击在一起,2017 年刚刚在上海的个展让许多人记忆犹新。

 

内田江美 Emi UCHIDA 的抽象,早在上海莫干山路画廊时代就做过大展,长达十几米的画呈现在染前牛仔面料上,一幅当代春宫图显得魄力十足,前卫而超脱。抽象的画面酷炫却不俗魅。土耳其艺博会、台湾高雄艺术中心、101 画廊的大型个展等都使艺术家作品不断进化。炭笔和油彩的交响产生恰到好处的紧张度,不可抵抗地渗透观者的感情。

 

水野亮 Ryo MIZUNO 的铅笔绘画,10 年前在上海有做过大头公主系列的个展。用 1000 个他的大头公主画面做成了隧道状态的装置,观众沿着通道看展,有截然不同的反应,要么吓哭了,要么极度兴奋。这些作品艺术家花了三年的时间, 每天创作一幅直到入睡。忘我地画出脑子里无限的小生灵,也是他作品的灵魂, 密集、迷离、神秘。这次展览的几幅早期作品你明明可以看到无数张脸庞,但却很抽象,又似乎其实看不到任何一张脸。具相又抽象。

 

佐藤令奈 Haruna SATO 的作品,于模板上敲打画笔重叠数层,意图在画布上表现体温,一张张孩子的脸,皮肤本身细腻到可以显见血管的痕迹,人性本初的稚嫩无暇也都体现在肌肤的状态上。近年在香港酒店艺博会上的热销,以及在日本电视节目上被选为下一代有潜力的艺术家之一,参加中条三年展中也在不断尝试装置艺术等。

 

小林麻衣子 Maiko KOBAYASHI 的个展是在上海三月份刚刚举办,「可爱的哲学」被观众的认可和喜爱无疑带给了艺术家很大的鼓励。和纸拓印的系列也带给大家很大的情感共鸣,这使得艺术家回日本后又重新创作了几幅新作,新作拓本的地点在银座的街道,人海里新作便如此诞生。期待新作在成都与大家见面。

 

林丈司 George HAYASHI 出生在艺术世家,外婆和妈妈都是艺术家,对音乐的热爱使他的作品里多有波普和韵律感,色彩亮丽,动物媒体的作品是对人性思考的折射和反省。可口可乐,耐克等品牌在他的早起作品就合作过,甚是著名。

 

岛内美佳 Mika SHIMAUCHI 的雕塑作品很深刻。年轻艺术家对死亡的描述,似乎不曾如此真实过,但是正如英年早逝的著名评论家南嶌宏Hiroshi MINAMISHIMA 所说,没有论及死亡的作品都是不够深刻的。在九州和东京的个展会场里你时常会被他的大型雕塑作品所震撼,雕塑之前的素描更是让人过目难忘,下半年上海的个展也在计划中。

 

工藤修司 Shuji KUDO 的作品更像一个首饰设计师和建筑师的视觉,对结构敏感而重视,线条干净利落,不啰嗦,简洁度始终把握地恰到好处,让观者无比舒适。而那线条营造出来的氛围又是如此深邃、静寂、和孤芳。

 

吉田直也 Naoya YOSHIDA 是平面设计师也是艺术家,他的作品极简、安静。这次作品系列运用的是不同黑色里不同的层次感。克制的欲望被收敛到一个静谧的空间里,不主张,不张扬。独立和自信地存在着。

 

志村英美 Hidemi SHIMURA 的作品用丝绸线缠绕而成,苏州的蚕丝线形成空间和时间的交错感,是平面也是立体,时间是轮回的细胞,快速地流淌,在这细细敏感的蚕丝线绕合的过程中又让时间在精神上慢慢地停滞下来。

 

和田咲実Sakumi WADA 的动画视频系列则用身体语言中的不同动作来描绘生活里的喜怒哀乐。清晨 4 点钟的蓝调系列,轻描淡写日常琐事,却不错过美好和邪恶带给我们心绪的变幻。律动感强,不仅美好,更有魄力。

 

Ouma 不是科班出身,曾经做过兽医的经验使她对细胞组织兴趣浓厚,她游走于全世界的艺术家驻留地,精力充沛地创作关于细胞的装置作品和 work shop。艺术项目经常与公益事业挂钩,心大不拘束,满腔自由,海阔任鸟飞。

 

此次策划的日本艺术家群展『若集』,参展艺术家们正如那些初春的嫩芽一般, 初拙而新颖,不娴熟却有趣味,稚嫩中蕴含着无法表述的潜能,令我们期待不已。

 

Shun 于上海,2018 年初春

 


Wakaba Luster


Since the Waking of Insect, everything comes to life from winter. New buds and fresh leaves are signs of starts. Great pleasure is felt from the transformation of crimson leaves into fresh green ones. Naturalness in such cycles can offer us epiphany.

 

In Japanese ancient poem collections, there is one called Leaves. This collection is inspired by it. The works from these 12 artists are like poems, which will bring pleasure to citizens in Chengdu.

 

Yuki MATSUEDA, one of the artists in this exhibition, has already done solo exhibition, group exhibition and performance in expo in Shanghai ten years ago. The artist plays an active role in exhibitions and shows in U.S., France, Korea and Taiwan. His works are always lively with strength, such as eggs, quail egg, traffic sign and poker. It will make you free from conventions. In his works, his humor, attitude and pursuit for life can be seen. In 2017, he just finished his solo exhibition in Shanghai, where 2D and 3D are intertwined in an exciting way.

 

The abstractness of Emi UCHIDA has already been shown in Gallery Times in Moganshan Road in Shanghai. A modern Shunga was painted on a scroll of jean more than 10m long, which is quite pioneering. The abstract picture is splendid but not cliché. The exhibitions in Turkey and Taiwan witness the evolution of the artist. The interaction between charcoal and oil paints suggests proper tension, which penetrates the viewers’ emotions in an irresistible way.

 

Crayon paintings by Ryo MIZUNO was shown ten years ago in Shanghai. 1000 pieces of close-up shots of big-head princesses were assembled into a tunnel, through which the audience will have different reactions, extreme excitement or fear. This took the artist three years to finish, one for every day. An infinite number of spirits were painted in the brain and the images are tense, detached and mysterious. Several faces can be seen in earlier works of this exhibition, which are abstract and specific at the same time.

 

In Haruna SATO’s works, brushes were beaten on the template for several layers, in order to express body temperature, kid’s faces and tender skin. All these can demonstrate the innocence of humanity through the signs of skin. In recent years, the artist has made great marketing in Hong Kong and he was chosen as one of the artists with greatest potential in the next generation. The artist also tried installation in different exhibitions.

 

Maiko KOBAYASHI just showed solo exhibition in March in Shanghai. Cute philosophy was well received by the viewers, which encouraged the artist much. Paper monotype also provided great resonance with the viewers, which motivated the artist to produce more works when she returned home. The location for monotype was in the streets of Ginza, among crowds. The new works are highly expected in Chengdu.

 

George HAYASHI was born in the family of artists. The love for music explains the poppy and rhythm in the works. The bright color and animal media are reflection of humanity. Coca Cola and Nike cooperated with him since early days.

 

Mika SHIMAUCHI’s sculpture has profound meaning. The description of death from a young artist has never been this true. Just as Hiroshi MINAMISHIMA said, art pieces unrelated to death are not profound enough. In solo exhibitions in Japan, people get astonished by large-scale sculptures. The sketches before sculpture are even more eye-catching. The solo exhibition in Shanghai is also on the way.

 

The art pieces of Shuji KUDO come more likely from a jewelry designer and architect, with sensitivity on structure and clean lines. Such structure provides utmost comfort for viewers. The atmosphere thus created is deep, serene and lonely.

 

Naoya YOSHIDA designs surface and he is also an artist. His works are concise and tranquil. In this series, different layers in the color of black are used. Constrained desires are put in a quiet space with no claim and no exaggeration. It exists with independence and confidence.

 

Hidemi SHIMURA’s works are made of silk threads from Suzhou, which are intertwined to form a spatial and temporal crossing. It is 2D as well as 3D. Time is the cell for cycle with rapid flow. During the intertwining process, time is gradually slowed in spirit.

 

Sakumi WADA produces cartoon videos with the use of body language and different actions to depict the emotions of life. The blue series in 4 am in the morning and the plain description of daily life will show the emotional swing brought to us by goodness and evil. It is rhythmic, beautiful and charming.

 

Ouma was not art major. Once a vet, she is interested in cells. She travels around the artist residence in different countries. She is energetically involved in the installation of cell and workshops. The art projects are often related to charity, with a free spirit in the artist herself.

 

The Group exhibition from Japanese artists is called Wakaba Luster. These artists are like spring sprouts, new and fresh, with unique flavors. There are potentials in the freshness that make their works so expected by us.

 

Written by Shun, in Shanghai, early spring of 2018


蓝顶举办若葉集-日本青年艺术家群展


2018年4月22日,由成都蓝顶美术馆、熏依社画廊共同主办的《若葉集-日本青年艺术家群展》在蓝顶美术馆新馆开幕,展出了松枝 悠希、小林 麻衣子、内田 江美、佐藤 令奈、林 丈司、水野 亮、志村 英美、工藤 修司、岛内 美佳、和田 咲実、吉田 直也、Ouma十二位日本青年艺术家的创作。这一批作品形式主要为绘画、雕塑、装置与影像,具有典型的日式风趣、诙谐与活泼感,生动反映了当今日本的艺术面貌。

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合影
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策展人Shun致辞

开幕现场吸引了大量市民观众、嘉宾和媒体,许多喜好日本视觉文化的年轻人表示,对此次展览期待已久。开幕式上,本次展览策展人、薰依社画廊负责人Shun,参展艺术家代表林 丈司,旅日艺术家、教育专家熊文韵先后致辞,祝贺展览成功举办。蓝顶美术馆副馆长、策展人丁奋起代表美术馆欢迎和感谢活动参与者以及各方嘉宾的到来。

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现场观众

配合本展的“中日青年艺术家座谈会”在美术馆书吧举办。出席此次座谈会的有:参展艺术家岛内 美佳、和田 咲実、林 丈司,薰依社画廊负责人Shun,旅日艺术家、艺术教育专家熊文韵,旅日青年艺术家郝明明及母亲魏炬明,A4美术馆策展人蔡丽媛,以及蓝顶美术馆副馆长丁奋起。座谈会主题为“从动物与人物、抽象与具象说开去”,大家从绘画的风格表象深入到了艺术背后的文化根源,以及所涉及到的经济、教育、传播等各个方面。从众人的探讨和阐发中可以见出,在当代艺术领域,日本对中国的启发良多,日本当代艺术所掀起的视觉风潮,遍及我们生产、生活的各个领域。同为东亚文化圈的中国,应当进一步地接触和借鉴日本的先进经验,更好地发挥出自身优势,让当代艺术的视觉成果深入人心,作用于世界文化与潮流。

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座谈会现场

本次展览堪称蓝顶美术馆中日国际交流活动的一个“里程碑”,虽然以往蓝顶的中日艺术交流不在少数,但如此集中的日本艺术家群展还是头一次。策展人Shun指出,展览主题“若葉集”为造语,灵感源于众人皆知的日本古代诗集《萬葉集》,这本集子鉴习唐风,亦为中、日两国文化交流的见证。“若葉”二字寓意了参展艺术家们,像春天新芽般茁壮成长,他们的作品如同一首首动人的诗章,为大家带来新意与惊奇,更让本土的观众和艺术家们得以零距离地感触日本人眼中的前卫、潮流与当代生活。

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现场

应该看到,随着近几年中国经济文化的快速发展,中国城市已逐渐成为日本艺术家国际艺术之旅的必往之地,本次展览的许多参展艺术家都与上海等沿海城市有着千丝万缕的联系,此次来蓉,意味着更进一步的交流举措和全新的合作开端,也间接体现出成都当代艺术生态的广泛影响力,国际交流平台的独特吸引力,以及兼容并蓄的文化容量与巨大潜能。

本次展览将持续到六月份。

作品赏析

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This is EXIT square 松枝悠希Yuki Matsueda 32×32×26cm 亚克力、木材、LED、塑料 Acrylic, wood, LED, PET 2017
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Untitled painting #24-16 小林 麻衣子 Maiko KOBAYASHI 65.2×50cm 板上丙烯、和纸 Acrylic on wood panel with Washi 2016
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Trace-22 内田 江美 Emi UCHIDA 162×130.3cm 布面油画、木炭 Oil and Charcoal on Canvas 2009
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希望 1 Hope 1 佐藤 令奈 Haruna SATO 164×130cm 布面油画 Oil on Canvas 2013
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麋鹿梦 Elkdream 林 丈司 George HAYASHI 117×91cm 板上丙烯 Acrylic on Board 2009
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个人史 03 Individual History 03 水野 亮 Ryo MIZUNO 109×77cm 铅笔画 Pencil on Paper 2002-2003
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无声的侵入者 (S_ml4) Silent Invader (S_ml4) 志村 英美 Hidemi SHIMURA 29×42cm,41.5×53cm with frame 综合材料(棉花绣花线,亚克力板,纸) Mixed Media (cotton embroidery thread, acrylic board, paper)  2017
3×3 Ouma 160×160×4cm 布面丙烯、钢笔 Acrylic and Pen on Canvas 2018.jpg
「3×3」Ouma, 160×160×4cm, Acrylic and Pen on Canvas, 2018
In the flowing time 工藤 修司 Shuji KUDO 45 ×31×30cm 黏土烧制 Clay 2014.jpg
In the flowing time 工藤 修司 Shuji KUDO 45 ×31×30cm 黏土烧制 Clay 2014
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Light Lines 和田 咲実 Sakumi WADA 5'22'' 动画 Animation 2014
Isu 01 吉田 直也 Naoya YOSHIDA 27.3×22cm 综合材料 Mixed-media 2012.jpg
Isu 01 吉田 直也 Naoya YOSHIDA 27.3×22cm 综合材料 Mixed-media 2012
 

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